Painting ID:: 38095
The bridge of Narnl mk131
1826
It impressed by the contrast extre the ruin of this bridge gypsy temperate the Nera there the vast extension of the virgin landscape there abrupt in known environment. new11/Corot Camille-352478.jpg
Painting ID:: 38097
The theater from garden it Farnes mk131
1826
Another of tired views painted that hill from the anus of the palation new11/Corot Camille-223899.jpg
Painting ID:: 38098
The castle of Sant Angelo and the Tiber mk131
1826-1828
Corot considered always querencia the uniform lights new11/Corot Camille-957937.jpg
Painting ID:: 38099
The Trinita ai Monti mk131
1826-1828
Another good example of the role that the values play in the work of Corot. new11/Corot Camille-656378.jpg
Painting ID:: 38100
Manana in Venice mk131
1834
It painted during the second trip to ltalia, Corot Amuses the azure light. new11/Corot Camille-273549.jpg
Painting ID:: 38101
The walk of Poussin Campina of Rome mk131
1826-1828
outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture new11/Corot Camille-448575.jpg
Painting ID:: 38102
Ischa since the slopes of the mount Epomeo mk131
1828
Two pochadeso outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture new11/Corot Camille-524755.jpg
Painting ID:: 38103
Florence Since the Gardens of Boboli mk131
1835-1840
The two arboles in first I finish they initiate a sequence of vertical references that contnuan al fund in the campanle new11/Corot Camille-732456.jpg
Painting ID:: 38104
Volterra mk131
1834
The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different new11/Corot Camille-924452.jpg